The Shadow

Foto by Jason Weaver 2017

He left in pursuit
of his own existence
for even of that
he was unsure.
He yearned for
unobscure truths
that he could
feel in his hands
and say, Here,
this is what I am.
This I can
believe in.

By Jason Weaver, 2017

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Morning Grace

Calla Lily by JasonWeaver 2017

Let me be tender and kind,
tolerant and wise;
Let me be generous and just,
grateful and forgiving;
Let me be strong
by being compassionate.
Let me show love
without restrain.
Let me give without wanting,
and receive without taking.

Let me be humble.
Let me be sincere.

Let this be my morning grace.

by Jason Weaver, 2017

Original painting, Calla Lily (2017), by Jason Weaver, acrylic on canvas 50x70cm.

The Stone Bearer

While roaming the roads of life, the man of middle-age reached a
stubborn standstill when he encountered a rapid stream. Not able to
amble forward and no other way around, he was unsure of what to do —
for he carried with him upon his back a sack laden with the myriad
stones and rock that he had throughout his journey amassed.

From a very early age and ever on, wherever he went and
whatever he did, the man added ever more to his pack —
some as wee as bits of sand, others as large as the whole of a man.
In time, his bag of fleck and flint filled fuller than full and
was as heavy as the house he had left so long ago.

To the folks that he’d meet in the towns on the streets where he proudly
passed, he became known as The Stone Bearer. For so long had it been that
he was christened as such, that he, too, came to know himself solely in this sense.
And over the scores of years since he pecked his first pebble, the title and
the role with which it entailed would come to define his very existence.

And so it was here, at this time and this place that he was unwittingly impelled
to contemplate his fate. How could he cross the impeding stream and be on his way, while lugging his stony load? The Stone Bearer considered this way and that, backward and front, yet forever concluded the same — He had no choice but to maintain his
course in the only manner mattering to him, with his burden upon his back.

Haltingly he lurched into the formidable flow, each footstep falling further
than the first. He sank in past his knees and hips, chest and chin, submerging
beyond his crown, his bale ever more anchoring him down. Holding fast to the
sack surely would he drown, so in an act of desperate dissolution, he released
his grip and off it slid, the rocks slipping onto stream bed aground.

One by one, the tumbling stones left him ever more light until he at last floated freely to the surface. Making his way to the other side, he stood easily upright, the first he had done so in years. Weightless, he felt, transparent even. He turned and peered to where his stockpile had spilled — strewn about in the current were all the rocks and stones that had once determined his past, and had compelled his foreseen future.

Original painting by Jason Weaver 2017

It was perfectly clear for him to see, that what had initially provided him purpose had eventually oppressed his progress. He realized that no longer could he carry the burden of expectation, to adhere to the limits of prescribed self-imposed concept. Indeed, he had no need to be the stone bearer any more.  “It is time to leave them behind,” he allowed to himself aloud, to the only one that could truly let it be so.

From that moment forth, he would just go, and be, and do — not disappointed by what he had lost (for he would collect no more rocks!) but stronger and wiser for the lesson he learned. In shouldering the weight of those rocks, he now had the fortitude for the travels ahead. And as for the rocks and stones themselves, they would remain forever where they toppled, a testament to the beauty of learning to live, and living to learn.

By Jason Weaver, 2017

Thinkers and Dreamers

Foto by JasonWeaver 2017

“He goes about his life
with his head up in the clouds,”
they scoff and with a brusk
wave of their hands
brush him aside.

But where they are blind,
the dreamers and the poets,
the artists and the philosophizers
have the vision to glean from the sky
the secrets of life.

And in the end, when they see
that their zeal to amass ever more
has destroyed rather than made
the fulfillment and the peace
that they seek–

–the thinkers and the dreamers
shall point them to
the deep blue above and say
“Behold all the riches
that one could ever need.”

By Jason Weaver, 2017

Planet Earth

Foto by JasonWeaver, 2017

When people ask me
“Where are you from?”
I do not hesitate to respond
“From planet Earth.”

Although, I must admit,
that sometimes I
wonder if that is
the outright truth.

And if I am to be
absolutely honest here,
by the looks on their faces,
I think they often doubt it as well.

by Jason Weaver, 2017

Neomarica: The Color of Love

 

Original painting by Jason Weaver, 2017

In the garden she sat upon a stone,
taking a rest from her daily devoir
to ponder her purpose in the world about her.
She closed her eyes, as she so often did at times like this,
her face turned toward the morning sun,
and ruminated on all that she was not
and all that she would never be.

She remained for a spell in still repose,
when at once a sense a joy took form far within.
It filled into her breast and then out to her limbs,
whereupon it seeped beyond the very limits of her skin.
It was a feeling of deep and intense love,
a love of life and self that she had never known before,
a feeling that shone with the color of love pure.

As this epiphany poured through her
integrating her wholly, inside and out,
she was transformed, from all that she was not
into all that she would ever be –Neomarica,
a radiant garden beauty who had found her true intent,
to illuminate for all the world to see
that a love of life and self is an essential way to be.

By Jason Weaver, 2017

Neomarica Caerulea is a flower species in the Iris family native to the South Americas; The name is derived from ‘neo’ being Greek for ‘new’ and Marica being a Roman nymph’ or ‘fairy’. The tale portrayed in the poem is of my own creation based on a personal experience which occurred during the process of painting this particular flower, which as it happens, grew in my garden.

Original painting by Jason Weaver, Neomarica (2017), acrylic on canvas 100cm x 70cm