In the garden she sat upon a stone,
taking a rest from her daily devoir
to ponder her purpose in the world about her.
She closed her eyes, as she so often did at times like this,
her face turned toward the morning sun,
and ruminated on all that she was not
and all that she would never be.
She remained for a spell in still repose,
when at once a sense a joy took form far within.
It filled into her breast and then out to her limbs,
whereupon it seeped beyond the very limits of her skin.
It was a feeling of deep and intense love,
a love of life and self that she had never known before,
a feeling that shone with the color of love pure.
As this epiphany poured through her
integrating her wholly, inside and out,
she was transformed, from all that she was not
into all that she would ever be –Neomarica,
a radiant garden beauty who had found her true intent,
to illuminate for all the world to see
that a love of life and self is an essential way to be.
By Jason Weaver, 2017
Neomarica Caerulea is a flower species in the Iris family native to the South Americas; The name is derived from ‘neo’ being Greek for ‘new’ and Marica being a Roman nymph’ or ‘fairy’. The tale portrayed in the poem is of my own creation based on a personal experience which occurred during the process of painting this particular flower, which as it happens, grew in my garden.
Original painting by Jason Weaver, Neomarica (2017), acrylic on canvas 100cm x 70cm
She wanted nothing more,
for there were no things
worth wanting anymore.
And as for wanting itself,
even that had become
a tiresome chore to her
as it grew and swelled, so
she let that go as well,
for it was taking up
too much of her time,
using up precious space
in her mind –space
that she needed
and to be.
“You see,” she will say–
but only if you ask, since
she has no desire to sway or
convince, in fact,
no desire at all does she have
but simply to exist, to live in the moment
to which she’s been offered–
“I am the experience.”
And then she will end
with nothing more proffered for there is nothing more!
as even every day words
which she once
so adored become
everything would be different.
If she had known that then, if she had
simply considered the possibility,
if she had only understood that nothing —nothing
would ever be quite the same again,
she would have lingered a while longer,
stayed beneath the trees
studying intensely the purpura
of the quaresmeira flower
until the fading light
of late day ceded to black
and spilled into her mind a
permanent hue of aliveness,
then she would have something — anything
to anchor her, to comfort her,
to keep her from slipping away,
from disintegrating into
obscurity and dissolving
to bits in the wind.
(To hear the Blacksmith Tree Frog please press play)
— The day prior to a New Moon compels total abandonment and complete surrender,
a release from all fears; by becoming an empty vessel, we can be reborn in purity —
The Shaman, dressed in his intricate fine-thread garb, has lit the
sacred flames ensconced within the ornamental shrine, festooned
in floral garlands and feathery plumes, around which they all gather,
chanting mantras and prayers, echoing his verse; later he reads
to them from the ancient texts, his sacramental words.
It is a ceremony of separation — one of death and birth,
of creation and destruction, of mothers and sons, of water and stone.
— And out of the primeval murk he was born, the strands
that once connected them shorn, as man arises from earth —
In attendance is the Seeker, who sways hypnotic to the reverberate
thumps and rings, enchanted at the ritualistic flourishes of his Master’s
lashes of sacred waters, at the intoxicating scents of mystic incense.
He knows that this ceremony is as much for himself as it is for them all,
for tonight, he has shed his doubt, arriving prepared to emerge.
Abruptly, he feels a split, the is a severance, and one by one, like strings
being snipped, the Shaman’s words begin to lose all meaning and sense.
— Bearing down in a grassy field near a passing creek, a mother
delivers her newborn son, cutting the umbilical cord with her teeth —
Opening his eyes he finds that they have all gone. He is alone in a forest clearing,
a passage, surrounded by bog, the sounds he is hearing now like so many drums
are the tympanic mating calls of male blacksmith tree frogs resonating across
the water. Where once was a fire-lit altar, he sees a patch of grassy stalks
jutting from the murk, the scents are of night-blooms, of algae, of damp.
It is done, the cycle is complete. Cleansed and unbound from his corporal and
temporal ties, he must forge a new path of unification. But for now, he must rest.