The Experience

foto by Jason Weaver, 2017

She wanted nothing more,
for there were no things
worth wanting anymore.
And as for wanting itself,
even that had become
a tiresome chore to her
as it grew and swelled, so
she let that go as well,
for it was taking up
too much of her time,
using up precious space
in her mind –space
that she needed
to think
and to be.

“You see,” she will say–
but only if you ask, since
she has no desire to sway or
convince, in fact,
no desire at all does she have
but simply to exist,
to live in the moment
to which she’s been offered–
“I am the experience.”
And then she will end
with nothing more proffered
for there is nothing more!
as even every day words
which she once
so adored become
inextricably
inexplicably
meaningless.

By Jason Weaver, 2017

Participating in OpenLink Night at dVerse Poet’s Pub! Come see!

Iteration

Foto by Jason Weaver, 2017

Foto by Jason Weaver, 2017

He’s been here before,
he’s almost sure; it’s nearly the same
although some details have changed;
what once was up is now down,
left has become right,
and something in the core
has shifted slight, but the rest appears
familiar, too familiar in fact,
and that is what has tipped him off.

“Aha! a test,” silently he speaks in his head,
“now just to remember… ”
Yes, he is convinced he knows.
Well, best not be too cocky, go slow,
more than once egotism has led to strife.

“See it for what it is,” he reminds himself.
As the scene plays out before him,
he seems to watch it all externally —
from over his own left shoulder,
he sees his hands, hears his voice,
they are his, and yet somehow
…ethereal…

And almost as soon as it begins,
it ends, each voluted turn drawn
tauter, denser, quicker as
minutesdaysmonthsyears
collapse in on themselves.

Iteration–Extinction–Inception

Yes, he has been here before,
this time he is certain; it’s nearly the same,
of course some details are changed;
He sees it for what it is, an experience
sees every step he must take
on an elliptical path of existence,
every birth, every death, and
every life to be had within.

By Jason Weaver, 2017

 

In a Valley

Foto by Jason Weaver, 2017

In a valley pass, I am
LIMITLESS
like an eagle I glide
above the land,
like a fish I breathe
beneath the sea,
beyond the ego-bound
barriers of body and mind,
I am the Earth,
her chartreuse covered
contours against
cerulean skies,
I am her ruddy dust in
sun-warmed winds,
and from within,
I am light.

By Jason Weaver, 2017

O Rio Paquequer

O Rio Paquequer by Jason Weaver

O Rio Paquequer (2014) — original acrylic painting by Jason Weaver

Let us
drink
the clear stream
of wellsprung purity,
and breathe
with lungs of leaves
a conscious continuity;
Let us
lie down
in a rocky seam
an earthen process,
and be
this perpetual
moment of progress.

by Jason Weaver (2014)
Original painting by Jason Weaver, O Rio Paquequer (2014), acrylic on canvas, 70cm x 100cm.

The scene depicted in this painting is of the Paquequer River, the principal river in Teresópolis, Brazil, where it begins high in the forest of the Serra dos Órgãos mountains before flowing north. Working from a photo I had taken, I aimed to capture the timeless continuation of the river just downstream from the Cecy and Pery Waterfall, so named for two main characters in the Brazilian novel, O Guaraní , written in 1857 by José de Alencar.  The title is derived from the name of an indigenous indian tribe whose territorial region once included the surrounding area of Rio de Janeiro, including Teresópolis . The novel is a romantic adventure whose hero, Pery, a Guaraní indian, deserts his tribal family so that he may forever be with his blonde-haired, blue-eyed mistress, Cecília, or Cecy as he calls her. It was the majestic beauty of the river Paquequer that inspired Alencar to write his famous novel, and in turn inspired me as well; here, translated into English by James W. Hawes in 1893, are the opening words of O Guaraní:

FROM one of the summits of the Organ Mountains glides a small stream, which flows northerly, and enlarged by the springs which it receives in its course of ten leagues, becomes a considerable river. It is the Paquequer. Leaping from cascade to cascade, winding like a serpent, it dozes at last in the plain, and empties into the Parahyba, which rolls majestically in its vast bed. Vassal and tributary of that king of waters, the little river, haughty and overbearing to its rocks, bows humbly at the feet of its sovereign. It loses then its wild beauty; its waves are calm and peaceful as those of a lake […] It is not at this point that it should be seen, but three or four leagues above its mouth, where it is still free. There the Paquequer rushes rapidly over its bed, and traverses the forests foaming and filling the solitude with the noise of its career.